I was hoping I could use some guitar pedal verbs from the amp simulator plugin but like the Scuffham plugin, you can’t bypass the head and amp to just access the reverb from the guitar pedals. Then you’re free to use the saturation in parallel. Unsync the ‘time’ control and set it to 1ms with the feedback at 0% basically eliminates the delay. It isn’t any better, but it at least does something. I did discover a saturation knob in the Analog Delay plugin. This was not a fun way to warm things up. I started with the mix down then nudged the mix until I could hear it doing something, then tuned the 2 EQ knobs to the frequency range. What I did to get around this was put the Redlight OpAmp mode with the drive completely off. This library is in real bad need of a console saturation plugin or a reel-to-reel emulator. One is the guitar amp simulator, the other is the Redlight Distortion plugin. Here’s a few of the problems I ran into and how I tried to fight through them.Īs far as I know there are only two saturation tools in this entire library. But I’m at the point where I can say I’m not real happy with the stock plugins. I can only conclude that HalfTime is a very well-designed and reasonably priced audio tool that can become an essential element of your VST arsenal.So a client recently asked me to start using as many stock Studio One plugins as possible so that I could commit the non-S1 plugins then send the session back to the client for editing/automation etc… I still haven’t run into any major deal killers workflow wise. You can further alter the sound through the smoothness knob and the frequency band the latter lets you determine which part of the frequency range you want to slow down. 4x will play the audio at quarter-speed, transforming it entirely. ![]() 2x creates the standard half-time effect, while 1.5x can work better for triplet grooves. More featuresīy changing the mode of the plugin you alter the actual speed of the slowdown effect. You can also easily add fade-ins and fade-outs to create a smoother transition for the effect. Shorter loops will make the HalfTime work as a pitch shifter, allowing you to preserve the tempo of the track, while longer loops can change your groove and rhythm entirely. ![]() The loop section allows you to select the length of the effect, depending on your needs. Just add it over a track and it can instantly slow down its playback speed.Įven though the interface is compact and pretty straightforward, the features it offers make this a very versatile plugin. A simple but powerful audio pluginĬreated by Cableguys, HalfTime is a lightweight tool that may come in handy to many music producers or sound designers. While doing this with your DAW tools may take a bit of trial and error, you can also do it the easy way with a plugin called HalfTime. One example is to slow down some tracks during the breakdown of your song, or even during a buildup. Others, well, are pretty much optional, but you may start using them later on when you feel that your songs need a bit more fireworks. These are essential tools for any producer, and if you’re new to the business, you learn about them from the get-go. In fact, you can’t even make a track sound “right” without some basic effects such as EQing, compression, or reverb. Audio effects are always a great way to improve your music production.
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